Reviews

"There’s an almost gothic element to the novel with Charli living in her grandmother’s forbidding and luxurious house, the deep forest of the title with its pack of wild dogs and the austere impenetrable walls of The Sanctuary itself. Reddan explores the nature of the human need to belong and to make sense of the world, the attraction of cults and the nigh on impossibility of ever leaving. This is about power on every level — be it physical, sexual or mind games. Using Charli as a pretty unreliable narrator only adds to the growing suspense and Reddan cleverly peels back the layers of Charli’s life the further she gets in understanding the true machinations of The Sanctuary. Interestingly, Reddan drew on her own experience growing up on a closed community to write Deep in the Forest. Perhaps that’s what gives it such chilling authenticity. "
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John Doe
 A Cuppa With Meredith meredithjaffe@substack.com
FICTION Deep in the Forest Erina Reddan Pantera Press, $32.99 Charli Trenthan is 27 and desperate to leave her home town of Stone Lake in the deep hinterlands of Victoria. In two weeks, she’s off to Venice to work with the world-expert on Venetian sunk-panel bookbinding, a practice that developed in the late Renaissance. After years chasing her dream job overseas, everything is about to change for the better. Yet trauma lingers on the surface. She is still haunted by the death of her mother in a hit-and-run a year earlier. Shortly after, she was accused of starting a fire that destroyed several properties belonging to important families in town. Since then, she has hidden inside the house she shared with her mother, focusing on her last commission before her European exodus. She’s been asked to bind a book for the Sanctuary, a mysterious gated community that purports to offer a pathway towards healing for addicts. Yet nobody in town really knows what goes on there. It has an eerie history – two years ago, a young teenager disappeared from its grounds. Nobody sees anyone going in or leaving. As Charli prods around the Sanctuary researching for her book, she finds herself seduced by the centre’s charismatic consigliere, Zack, a former Marine recovering from PTSD, whose body “sizzles with unconscious power”. He admits that the centre can seem strange from the outside. “There are certain things, practices, expectations that are frankly, pretty last century,” he tells her. The Sanctuary paints itself as an “intentional sustainability community” and “an alternative to capitalism” that “provides equally for all”. Yet no animals are allowed and the residents are mainly young women who are given names such as Serenity, Prudence, Mercy and Kindness. “We have God’s beauty inside the Sanctuary,” Zach reminds Charli, even as she suspects something insidious going on. One morning, during her daily run, Charli makes a horrifying discovery: a dead baby boy in the frozen lake by the forest – “like a perfect pressed flower under the ice”. Whose could it be? More pressingly, should she risk reporting it? If she tells the police, she’ll be embroiled in another police investigation. She’s already suspected of slipping off a charge of arson. It’s bad timing. If she tells them, she’ll definitely miss her opportunity to escape to Venice. Reddan’s propulsive domestic drama takes another shocking turn when a private investigation reveals that the deceased baby’s DNA does not match that of Harmony. This thrilling crime narrative contains the creepy elements of fantasy sci-fi, without compromising character development and plot intrigue. The cover alone alludes to the dystopian terrors of The Handmaid’s Tale while its nimble descriptions of the Sanctuary’s mystic spaces harkens to Ari Aster’s sensational folk horror film, Midsommar. Though the story is occasionally weighed down by the heroine’s prolix introspection, her dogged fight to unmask the gruesome practices inside the Sanctuary will leave you couch-bound and wired to the end. The Booklist is a weekly newsletter for book lovers from books editor Jason Steger. Get it delivered every Friday.
Jessie Tu
Jessie Tu, The Age, December 29, 2023
Deep in the Forest, Erina Reddan REVIEW ADDED: Wed, 20/03/2024 - 2:16pm by Karen Chisholm As is the way of the world, there have been quite a few crime fiction books recently that delve into the world of cults, the people that get caught in them, and those trying to get them out. DEEP IN THE FOREST is a slightly different twist on that. It's the story of a small town outcast, who via some coincidental work connections, and the fact that she lives very near the community known as the Sanctuary, finds herself pulled too far into their world. Charli Trenthan is an outsider in her hometown of Stone Lake, thanks mostly to the local police sergeant who really holds a grudge, setting out to make her life a misery as a result. Charli lives, with her memories, and her dog, alone in a large old house, on an isolated property outside town, where she is deeply mourning the death of her mother, killed by a hit and run driver. A renowned book binder, she's creating a significant anniversary book for the "Sanctuary" community, that sits on the edge of the same dense forest and lake that Charli's home backs onto. There are large parts of the house that she can't enter since her mother's death, but she's happy roaming the forest, until the time she discovers something shocking at the lake, and a cryptic message from a member of the Sanctuary community shatters the professional distance she's maintained up until then. Ably, if not slightly haphazardly supported by her best friend Amra and her high-powered lawyer Aunt Gigi, Charlie is driven to discover the truth behind the community, perhaps not in small part, as a distraction to the ongoing mourning of her mother, and her desire to get away from a town that's been so unwelcoming, so antagonistic. The antagonism of the locals is evident right from early in the book, as is Charli's internal struggle, which bordered on personal neglect. (On a personal note whilst not overtly cruel to dog Bojo, the seeming extension of that neglect did make me twitch... a lot). Given this is such a closed in, self-centred story, readers are really going to have to connect with this central character in a big way. Whilst there is a fair amount of threat and tension with DEEP IN THE FOREST, it's not going to take guesswork to figure out the main threads - the hit and run that killed Charli's mother, what's really going on within the Sanctuary, and who the ultimate bad guy is. Alongside the somewhat obvious nature of the plot there's the considerably less easy to resolve Charli. An amateur detective by way of proximity and personal impetus, she's not the best judge of character, and seems infinitely capable of dithering whilst a metaphorical Rome burns down around her. There is a real possibility here that the author was trying to develop a character who is really struggling to process emotion and reality - sometimes that was clear, at other times she was just a bit too annoying. The characters of Aunt Gigi and Amra did provide some backbone, common sense and direction though, and their every entry into the narrative lifts what can sometimes be a frustrating reading experience. Perhaps that's where DEEP IN THE FOREST differs substantially from the current run of "cult based" crime fiction. There's something slightly off about everything and everybody. Charli's the main narrator, and she's obviously suffering depression so her flawed choices and viewpoint are profoundly affected by that. Amra's kind but perhaps not all she seems, and Aunt Gigi's bold confidence threatened to take all respect and attention from everyone else. Whether or not that combination of slightly off, slightly dodgy, slightly weird, slightly NQR is going to work is going to come down firmly in YMMV territory.
Karen Chisholm
AustCrimeFiction.orgs

Erina Reddan is an author and public speaker. Erina has a Masters Degree in Professional Writing (University of Technology Sydney) and is currently undertaking a PhD in Creative Writing (La Trobe University). She has been awarded the prestigious Walkley Award for her work as an ABC foreign correspondent. Erina has lectured in international politics at The University of Melbourne, tutored in creative writing at La Trobe University and taught at Writers Victoria.

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